{"id":6744,"date":"2024-04-17T16:39:37","date_gmt":"2024-04-17T16:39:37","guid":{"rendered":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/?page_id=6744"},"modified":"2025-03-27T13:37:57","modified_gmt":"2025-03-27T13:37:57","slug":"re-build-leonardo","status":"publish","type":"page","link":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/re-build-leonardo\/","title":{"rendered":"RE-Build Leonardo"},"content":{"rendered":"<h3 style=\"text-align: center;\"><strong><a href=\"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2024\/04\/RE-Build-Leonardo-Programma.pdf\">RE-Build Leonardo &#8211; Programma<\/a><\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Diretta Streaming:\u00a0<a href=\"http:\/\/shorturl.at\/pSLHN\">shorturl.at\/pSLHN<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h4><strong>International Congress | April 3-5, 2025<\/strong><\/h4>\n<h4><strong><img loading=\"lazy\" class=\"alignright wp-image-6903 size-medium\" src=\"http:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2025\/03\/0096r_0185_IGP2955-341x500.jpg\" alt=\"\" width=\"341\" height=\"500\" srcset=\"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2025\/03\/0096r_0185_IGP2955-341x500.jpg 341w, https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2025\/03\/0096r_0185_IGP2955-699x1024.jpg 699w, https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2025\/03\/0096r_0185_IGP2955-768x1125.jpg 768w, https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2025\/03\/0096r_0185_IGP2955-1049x1536.jpg 1049w, https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2025\/03\/0096r_0185_IGP2955-1399x2048.jpg 1399w, https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-content\/uploads\/2025\/03\/0096r_0185_IGP2955-scaled.jpg 1748w\" sizes=\"(max-width: 341px) 100vw, 341px\" \/><\/strong><\/h4>\n<h4><strong>RI-Costruire Leonardo<\/strong><\/h4>\n<h4><strong>RE-Build Leonardo<\/strong><\/h4>\n<p>organized by<\/p>\n<p>Alfredo Buccaro, Margherita Melani, Carlo Vecce<\/p>\n<hr \/>\n<h6>University of Naples Federico II<\/h6>\n<h6>CIRICE Interdepartmental Research Center\u00a0on the Iconography of the European City<\/h6>\n<h6>DiARC Department of Architecture<\/h6>\n<h6>University of Naples L&#8217;Orientale<\/h6>\n<h6>Department of Literary, Linguistic, and Comparative Studies<\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The fragmentary nature of Leonardo\u2019s pages necessitates, in any research project on the Vincian Master, a direct confrontation with gaps and, consequently, with the challenge of reconstructing missing elements. The Conference aims to focus on a working method that, particularly in the field of Leonardo studies, has proven fundamental for the realization of significant volumes and research projects. Studies \u2014 whether direct or indirect \u2014 of Leonardo\u2019s pages, from the originals to the apographs, have produced milestone examples, such as the repositioning of the Windsor fragments in relation to the pages of the Codex Atlanticus, the reconstruction of Leonardo\u2019s lost<em> Libro A<\/em>, or the analysis of lost texts retrievable in the Ambrosian apographs or in the <em>Codex Corazza<\/em>, up to the \u2018recovery\u2019 of Leonardo\u2019s library.<\/p>\n<p>The diversity of topics addressed by Leonardo, which correspond to many modern disciplinary fields, allows the proposed theme to be explored from multiple perspectives and through topics that are not exclusively reserved for specialists.<\/p>\n<p>Indeed, the outlined focal points also make it possible to include the broader issue of the reception of Leonardo\u2019s knowledge up to the contemporary age and across different geographical and historiographical contexts. These have led, on the one hand, to the compilation and publication of thematic textual surveys \u2014 such as in the case of the <em>Treatise on Painting<\/em> or <em>Del moto e misura dell&#8217;acqua<\/em> \u2014 entirely conceived as reconstructions of lost Vincian texts, and on the other, to the study and dissemination of Leonardo\u2019s legacy through the analysis of the artistic, scientific, and technical thought of his followers over the centuries.<\/p>\n<p>Now more than ever, these broad research perspectives, thanks to the digital publication of Leonardo\u2019s codices and drawings, as well as the works of professionals and theorists in the fields of art, architecture, science, and engineering between the sixteenth and twentieth centuries, can be approached in a transdisciplinary manner.<\/p>\n<p>The publication of the speakers\u2019 contributions is planned in the journal <em>Achademia Leonardi Vinci<\/em>, which is being reissued thanks to the support of CIRICE and FedOA University Press of the Federico II University.<\/p>\n<hr \/>\n<p class=\"v1MsoNormal\"><strong>Scientific Committee<\/strong><\/p>\n<p class=\"v1MsoNormal\">Juliana Barone<\/p>\n<p class=\"v1MsoNormal\">Janis Bell<\/p>\n<p class=\"v1MsoNormal\">Andrea Bernardoni<\/p>\n<p class=\"v1MsoNormal\">Alfredo Buccaro<\/p>\n<p class=\"v1MsoNormal\">Marco Biffi<\/p>\n<p>Francesco Paolo Di Teodoro<\/p>\n<p class=\"v1MsoNormal\">Frank Fehrenbach<\/p>\n<p class=\"v1MsoNormal\">Giuseppina Ferriello<\/p>\n<p class=\"v1MsoNormal\">Francesca Fiorani<\/p>\n<p class=\"v1MsoNormal\">Fabio Frosini<\/p>\n<p class=\"v1MsoNormal\">Margherita Melani<\/p>\n<p class=\"v1MsoNormal\">Annalisa Perissa<\/p>\n<p class=\"v1MsoNormal\">Pasquale Sabbatino<\/p>\n<p class=\"v1MsoNormal\">Anna Sconza<\/p>\n<p class=\"v1MsoNormal\">Sara Taglialagamba<\/p>\n<p class=\"v1MsoNormal\">Carlo Vecce<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<h3><strong><em>Topics<\/em><\/strong><\/h3>\n<p>&nbsp;<\/p>\n<h4><strong>Analysis of autographs and apographs<\/strong><\/h4>\n<h6>The Language and Writing of Leonardo<\/h6>\n<h6>Intrinsic Relationships between Autograph Codes and Sheets<\/h6>\n<h6>From <em>Libro di pittura<\/em> to the <em>Trattato della pittura<\/em><\/h6>\n<h6>Artistic, Scientific and Technical Copies<\/h6>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<h4><strong>Reconstruction, interpretation and diffusion\u00a0<\/strong><strong>between art, architecture and engineering <\/strong><\/h4>\n<h6>The Vision of the City and Landscape<\/h6>\n<h6>The Artistic fortune<\/h6>\n<h6>The Idea of Architecture and its Representation<\/h6>\n<h6>The &#8220;Artist-Scientists&#8221; and New Engineering in the Leonardo Tradition<\/h6>\n<h6>The Iconographic Fortune<\/h6>\n<h6>Critical and Editorial Fortune<\/h6>\n<p><strong>\u00a0<\/strong><\/p>\n<h4><strong>The Vincian method between reason and &#8220;sperienza&#8221;:\u00a0<\/strong><strong>towards the new experimental science<\/strong><\/h4>\n<h6>Experience as a Method<\/h6>\n<h6>From Hellenistic Sources to Arabic and Persian Transcriptions<\/h6>\n<h6>Leonardo&#8217;s Mechanical and Hydraulic Inventions<\/h6>\n<h6>Leonardo as a Source of the New Experimental Science<\/h6>\n<p><strong>\u00a0<\/strong><\/p>\n<h4><strong>Leonardo in contemporary imagination<\/strong><\/h4>\n<h6>A life to Rebuild<\/h6>\n<h6>Contemporary Leonardo, between Literature and Cinema<\/h6>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/?page_id=6780&amp;preview=true\"><strong>&gt;&gt;&gt;Deadlines<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>RE-Build Leonardo &#8211; Programma &nbsp; Diretta Streaming:\u00a0shorturl.at\/pSLHN &nbsp; International Congress | April 3-5, 2025 RI-Costruire Leonardo RE-Build Leonardo organized by Alfredo Buccaro, Margherita Melani, Carlo Vecce University of Naples Federico II CIRICE Interdepartmental Research Center\u00a0on the Iconography of the European City DiARC Department of Architecture University of Naples L&#8217;Orientale Department of Literary, Linguistic, and Comparative [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/pages\/6744"}],"collection":[{"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/comments?post=6744"}],"version-history":[{"count":18,"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/pages\/6744\/revisions"}],"predecessor-version":[{"id":6911,"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/pages\/6744\/revisions\/6911"}],"wp:attachment":[{"href":"https:\/\/www.iconografiacittaeuropea.unina.it\/cms\/wp-json\/wp\/v2\/media?parent=6744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}